Lunfito Pro MK-I
Large-diaphragm condenser with gold-sputtered capsule, built for vocal isolation and high-SPL handling in interview settings.
Professional audio equipment for interviews, podcasting, and studio work — engineered as a structural system, not a collection of gadgets. Built in London for creators who need broadcast-ready results.
Sound Architecture is the foundational principle guiding every product in the Lunfito inventory. We evaluate how a microphone interacts with air pressure in a room and how acoustic shielding reinforces signal purity. Your recording setup is a structural system — every component affects the next.
By focusing on the structural components of sound, we help creators in London and beyond build studios that produce consistent, broadcast-ready results. The goal is a clean raw file that needs minimal post-production filtering — because the room, the mic, and the shield did the work at the source.
We do not stock hundreds of redundant items. Every product on lunfito.com passes a rigorous selection process for acoustic performance and build quality. This means every purchase is a deliberate investment in your audio infrastructure — not a gamble on compatibility.
Large-diaphragm condenser with gold-sputtered capsule, built for vocal isolation and high-SPL handling in interview settings.
High-density porous materials in a geometric pattern that prevents early reflections, creating a dry recording environment in any room.
A matched signal chain from diaphragm to interface — tested configuration designed for tonal consistency across multi-guest sessions.
A balanced hardware set for podcasters upgrading from USB mics — matched components that eliminate tonal inconsistencies.
Lightweight, durable components for the mobile journalist — deployable in seconds, built so the tech never interrupts the conversation.
An entry point into Sound Architecture — the essentials for a first vocal booth, pre-configured so you can start recording immediately.
In high-stakes interviewing, the environment is rarely perfect. The Lunfito Pro MK-I and our portable shield systems are engineered to isolate the human voice — prioritizing high-SPL handling and off-axis rejection so the primary subject remains the focal point. A clean raw file is the most valuable asset in any production workflow.
Our microphones and shields are designed for transparency, providing a neutral canvas for your voice or instruments. What you hear in your monitors is exactly what occurred in the room. In the context of Sound Architecture, this is the equivalent of using high-grade raw materials — the finished structure holds up because the inputs were honest.
We reject the industry trend of flattering frequency curves that sound impressive on first listen but fall apart under scrutiny. Transparency means your post-production decisions start from a real baseline, not a coloured one.
Inside every Lunfito microphone is a precision-engineered capsule designed to handle the subtle nuances of speech — sibilance and plosives are managed gracefully, not distorted. All-metal housings and gold-sputtered diaphragms maintain their performance characteristics over years of daily studio use.
The diaphragm responds to air pressure changes in milliseconds, capturing the leading edge of consonants and the decay of vowels with equal fidelity. This is what makes a recording sound like a person in a room, not a processed signal.
By utilizing high-density porous materials arranged in a specific geometric pattern, the S3 prevents early reflections from reaching the microphone capsule. This creates a dry recording environment even in rooms with hard surfaces and high ceilings — essential for maintaining studio-quality standards in non-traditional spaces.
Successful Sound Architecture requires understanding how sound moves through a three-dimensional space. A heavy-duty boom arm decouples the microphone from desk vibrations. A specialized pop filter manages air velocity before it hits the capsule. An acoustic shield controls early reflections from nearby walls.
When these elements work together, the result is a recording that sounds professional and intimate — free from the technical distractions that characterize amateur productions. The room stops being an obstacle and becomes part of the instrument. This is why we sell curated kits rather than isolated items: compatibility is not something you should have to research, it should be built in.
Our boom arms use internal spring isolation to prevent mechanical noise travel. Our pop filters are positioned at a calculated distance that diffuses plosive energy without attenuating high frequencies. Every accessory in the catalogue is there because it solves a specific acoustic problem — not because it fills a shelf.
Operating from Second Home Spitalfields, we are immersed in one of London's most active creative hubs. We test equipment in the very environments our customers inhabit — noisy offices, shared workspaces, compact home studios — ensuring Sound Architecture is a practical solution for urban recording, not a theoretical one.
Whether you are building your first vocal booth or optimizing a multi-guest podcasting suite, these are the factors that determine whether your setup will produce consistent results — or fight you on every recording.
Hard surfaces and high ceilings create early reflections. An acoustic shield or absorption panels address this at the source — before the signal reaches your interface.
Desk vibrations travel through cheap stands into the microphone capsule. A decoupled boom arm with internal spring isolation breaks that transmission path.
Plosives are bursts of air that overload the diaphragm. A pop filter at the correct distance diffuses that energy without dulling the high-frequency detail of your voice.
Disparate gear introduces tonal inconsistencies. Pre-configured kits like the Prime Trio and Core Kit provide a matched chain from diaphragm to interface, tested for harmony.
If you record outside a fixed studio, weight and deployment speed matter. The Field Duo is built for journalists who need to set up in seconds and capture a clean file in unpredictable spaces.
Wall panels treat the room globally, which helps. But an acoustic shield works locally — it controls reflections between the sound source and the microphone capsule before they enter the signal. For interview work in untreated or semi-treated spaces, the S3 is the faster and more predictable solution.
The Prime Trio is configured for multi-guest sessions — it includes components that handle multiple voice sources with consistent tonal matching. The Core Kit is a single-voice chain designed for solo podcasters upgrading from USB microphones to a proper XLR setup. Both are pre-tested configurations, not assembled on demand.
We operate from Second Home Spitalfields and welcome appointments to evaluate gear in person. Contact us at contact@lunfito.com or call 020 7034 2669 to arrange a session. We will set up the equipment in a working environment so you can hear how it performs under real conditions.
Orders can be placed directly through the website. We accept bank transfer and invoice payment, and items are available for collection from our Spitalfields address. Shipping details and returns information are available on our shipping and returns policy pages.
As digital media continues to evolve, the demand for high-quality audio has never been higher. Listers tune out of poorly produced content within seconds — the bar for what counts as professional is rising fast.
By investing in Sound Architecture today, you are setting the foundation for a professional brand that sounds as good as it looks. The right gear is not a luxury — it is the infrastructure that lets your content compete.
Browse the full catalogue to compare specifications, or reach out to our team for guidance on which configuration fits your space, your voice, and your production workflow. We are here to help you build.
Second Home Spitalfields
68 Hanbury St, London E1 5JL
020 7034 2669
contact@lunfito.com
Monday – Friday
09:00 – 18:00